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Showing posts with label I'm really good at cutting things off. Show all posts
Showing posts with label I'm really good at cutting things off. Show all posts
Sunday, October 20, 2013
Now on Tumblr!
Code Redd Net's social media network continues to grow: click on the button below to follow us on our new Tumblr. It's a work in progress right now, but keep an eye on CRN's Tumblr for more frequent updates, musings, and media from Thrasher and Chicken Man.
Friday, October 18, 2013
Finest Fights: CZ12 (2012)
For over two years, Code Redd Net's Finest Fights series has brought you the very best of action cinema available on the web. For real, I mean it, we started this business over two years ago. Finest Fights rolls on this week with a selection from Jackie Chan's latest, and potentially his last, action film.
In limited release today is Jackie Chan's CZ12, aka Chinese Zodiac. Though I haven't seen the version being released to North America, I purchased a copy of the film on DVD from my local Chinatown market. It's not very good. There's about 20 minutes of quality material near the end of the film, but the rest of it is decidedly mediocre. It's not Tuxedo bad, but it's not far off from it either, and at least the Tuxedo was short. CZ12 is overlong, meandering, and childish. This is by far the best scene in the entire film, but it's not nearly enough to save the rest of the film. But I suppose that's what Finest Fights is for: bringing to you the best in action cinema, condensed and filtered for optimum enjoyment. Look for a full review of CZ12 soon.
In limited release today is Jackie Chan's CZ12, aka Chinese Zodiac. Though I haven't seen the version being released to North America, I purchased a copy of the film on DVD from my local Chinatown market. It's not very good. There's about 20 minutes of quality material near the end of the film, but the rest of it is decidedly mediocre. It's not Tuxedo bad, but it's not far off from it either, and at least the Tuxedo was short. CZ12 is overlong, meandering, and childish. This is by far the best scene in the entire film, but it's not nearly enough to save the rest of the film. But I suppose that's what Finest Fights is for: bringing to you the best in action cinema, condensed and filtered for optimum enjoyment. Look for a full review of CZ12 soon.
Friday, October 4, 2013
Jackie Chan in... CZ12 (2012)
Here's the North American release trailer for Jackie Chan's latest film, CZ12 aka Chinese Zodiac. Might be better than The Tuxedo. We'll see.
Tuesday, March 19, 2013
Finest Fights: The Myth (2005)
It's been some time since we did one of these, but you know the drill: we bring you some of our favorite fight scenes from YouTube, like this weird one from The Myth.
Maybe not Jackie's best work, but it's the only scene worth remembering from that film, that's for sure.
Maybe not Jackie's best work, but it's the only scene worth remembering from that film, that's for sure.
Friday, February 22, 2013
DVDs We Love: Rush Hour 2 (2001)
This should be an easy transition: as you know, we've spent the last few weeks on Code Redd Net revisiting some Classic Chan films. Now we return with a new recurring feature, one that aims to spotlight some of the best, most valuable and most interesting DVDs/Blu-rays on the market. Too often films released for home viewing provide little incentive for purchase beyond the quality of the film it contains. Our purpose here is to draw your attention to those discs laden with special features, special features that make repeated viewings worthwhile, that keep the DVD/Blu-ray in question spinning in your player for years. To that end, we can find no better way to kick things off than by returning to Rush Hour 2. In addition to being a beloved CRN Awards winner and longtime site/blog staple, it's also one of our favorite DVDs ever released. Find out why below.
Rush Hour 2 is not the best Jackie Chan film. In fact, looking over the items chronicled in our recent Classic Chan series, arguably eight of those ten films feature better fights, better stunts, and overall a more competent use of Chan's physical abilities. What those films lack, though, is the sheen of Rush Hour 2, its efficiency of storytelling and style. Undeniably, Rush Hour 2 is lean Hollywood filmmaking, all its excesses contained in 90 minutes and rounded off by the credits. Hollywood is at its best when taking something mediocre and inflating it to the absolute limit, usually via astronomical production values. So while Chan's choreography is below average in this film, so much else around him is of a higher quality (everything from the lighting, the sets, the cameras, to the film stock itself) that we can temporarily forget the handcuffs put on our favorite action star. It's a decent enough compromise for the Chan enthusiast and the casual viewer, I suppose.
Besides the quality of the film, the DVD for Rush Hour 2 really delivers the goods. As part of the abandoned Infinifilm brand of New Line, the Rush Hour 2 disc is loaded with stuff:
This may not sound that impressive at first, but the DVD's Infinifilm option integrates almost every one of these elements into the film's presentation. Menus pop up onscreen, inviting you to watch short clips, snipped from the full featurettes listed above that deal directly with the scene.
Brett Ratner and his screenwriter writer provide feature-length commentary and it's mostly banal stuff that gets regurgitated elsewhere on the disc. There's a bit too much gossip, and way too much Hollywood name-dropping, but on occasion they provide an insight or tow. One of the more intriguing special features is the Fact Track (above), an option that places a running stream of incidental notes on the lower part of the screen. These include useful biographical bits on Chan, Tucker, and the minor or incidental characters that surround them, as well as trivia regarding the scenery, shooting locations, and Snoopy's height relative to Tucker's racially-charged estimation of Chan's height. Like the Infinifilm option, though perhaps less exciting visually, Fact Track is yet another way to make a repeated viewing of the film seem novel. Strangely enough, it's possible to watch the film with the Fact Track, commentary, and Infinifilm features all running at the same time! It's a bit too much for the senses, I think, but it nonetheless proves that the disc is loaded not only with special features, but with a highly customizable engagement with them.
All things considered, the Rush Hour 2 Infinifilm DVD is one loaded with replay value. By my count, there's at least four-five different ways to watch the film: by itself, with Infinifilm, with commentary, with the fact track, and with some combination of the above options. This is in addition to the standalone full features accessible via the menu. It's too bad New Line gave up on the Infinifilm brand, because I wish all my DVDs/Blu-rays had this kind of depth.
Get the DVD on Amazon for $.01 right here (and make sure you follow the link to the Infinifilm product specifically, as there's another, stripped-down and feature-less version of the disc in circulation).
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| Ricky, you sly son of a gun, just look at you. |
Besides the quality of the film, the DVD for Rush Hour 2 really delivers the goods. As part of the abandoned Infinifilm brand of New Line, the Rush Hour 2 disc is loaded with stuff:
- Commentary with director Brett Ratner and writer Jeff Nathanson
- Featurettes: "Making Magic Out of Mire", "Fashion of Rush Hour 2", "Jackie Chan's Hong Kong Introduction", "Culture Clash: West Meets East", "Language Barrier", "Attaining International Stardom", "Kung Fu Choreography".
- Evolution of a Scene
- Visual Effects Deconstruction
- Deleted Scenes/Outtakes (with optional director/writer commentary)
- Theatrical Trailers
- Cast and Crew bios
- Fact Track
- DVD-rom with a script you can read alongside film
- as well as the usual plethora of language/subtitle options and chapter selection
This may not sound that impressive at first, but the DVD's Infinifilm option integrates almost every one of these elements into the film's presentation. Menus pop up onscreen, inviting you to watch short clips, snipped from the full featurettes listed above that deal directly with the scene.
In this example, the massage parlor fight is supplemented with material describing its construction. Play the clip and the disc returns you to the film at exactly the same point you were at before. Though the disc obviously needs a few seconds to gather up the selected data after you click an option, and a few more to get you back, it's nothing too jarring; and it helps that the clips are usually interesting and engage you more thoroughly with the film. Certainly the Infinifilm feature could become annoying for those watching the film for the first time, but it's not the default option on the disc. For those looking for a reason to watch it again, though, it's a perfect means to do so.
Outside of the Infinifilm, you can access all the supplemental material individually and in full. Though there's plenty of flatulent industry fluff, like "Fashion of Rush Hour 2" and "Making Magic Out of Mire", many of the other features are worth watching. Evolution of a Scene, essentially rehearsal footage of some of the more expensive/explosive scenes, is an interesting opportunity to see Jackie's method of choreography at work. I always appreciate the inclusion of deleted scenes, though in this case they were clearly deleted for a reason; same goes for the outtakes, really.
Brett Ratner and his screenwriter writer provide feature-length commentary and it's mostly banal stuff that gets regurgitated elsewhere on the disc. There's a bit too much gossip, and way too much Hollywood name-dropping, but on occasion they provide an insight or tow. One of the more intriguing special features is the Fact Track (above), an option that places a running stream of incidental notes on the lower part of the screen. These include useful biographical bits on Chan, Tucker, and the minor or incidental characters that surround them, as well as trivia regarding the scenery, shooting locations, and Snoopy's height relative to Tucker's racially-charged estimation of Chan's height. Like the Infinifilm option, though perhaps less exciting visually, Fact Track is yet another way to make a repeated viewing of the film seem novel. Strangely enough, it's possible to watch the film with the Fact Track, commentary, and Infinifilm features all running at the same time! It's a bit too much for the senses, I think, but it nonetheless proves that the disc is loaded not only with special features, but with a highly customizable engagement with them.
All things considered, the Rush Hour 2 Infinifilm DVD is one loaded with replay value. By my count, there's at least four-five different ways to watch the film: by itself, with Infinifilm, with commentary, with the fact track, and with some combination of the above options. This is in addition to the standalone full features accessible via the menu. It's too bad New Line gave up on the Infinifilm brand, because I wish all my DVDs/Blu-rays had this kind of depth.
Get the DVD on Amazon for $.01 right here (and make sure you follow the link to the Infinifilm product specifically, as there's another, stripped-down and feature-less version of the disc in circulation).
Wednesday, February 20, 2013
Classic Chan: The Accidental Spy (2001)
Classic Chan concludes today on a bit of a downbeat, as The Accidental Spy is not one of Chan's best. Regardless, it's been a real pleasure bringing you this series on one of our favorite performers. Chicken Man and I have enjoyed this chance to revisit some of the key films in our history, films that somehow escaped our critical eye. Stick around for more Chan coverage coming your way on Code Redd Net.
Even when Jackie Chan is at his most mediocre, he still brings the goods. To wit: though The Accidental Spy is pretty pedestrian stuff, there's an excellently choreographed fight in a Turkish* bath that saves the film from totally descending into Tuxedo territory. But first, the evergreen wacky plot: Jackie is an exercise equipment salesman who foils a robbery. Some strange old man then approaches Jackie about another strange old man, this one wealthy and on his deathbed. He sends Jackie off on a globetrotting quest for clues of some sort or another, all the while unknowingly working for a shadow American intelligence operation. By even the loosest narrative standards of the genre, The Accidental Spy makes no sense. Why Jackie goes to certain places, why certain clues are deemed important, and why certain characters show up at certain times and do certain things, barely any of it is adequately explained. I suppose it's a bit of a throwback to the oddball political affiliations Jackie dealt with in First Strike, but for all the James Bond-lite intrigue and exoticism of locales, it doesn't add up to anything substantial, let alone anything really comprehensible. Still, though, there's nothing like Chan acrobatics to distract you from the confusing story. The aforementioned Turkish bath bash is a true highlight, as Jackie not only defends himself from his assailants, but also defends the dignity of his naked body from exposure. It's a subtle technique of layering the choreography that Jackie is particularly adept at executing. He doesn't simply fight an opponent or a mob of opponents: often, he also has to contend with the elements, with the environment, with physical restraints (such as handcuffs or that odd rope apparatus in Mr. Nice Guy), with notions of decorum and cultural heritage (recall the complicated vase choreography in Shanghai Knights), and so on. Unfortunately, the dynamism of the Turkish scene isn't present in all the fights, as some of them are fairly bland and lack that trademark Chan structuring. If it's your kind of thing, there's plenty of vehicular stuntwork going on here, especially the impressive tanker sequence that concludes the film. Nevertheless, The Accidental Spy should be ranked fairly low in Chan's oeuvre. I recommend checking it out for the Turkish bath fight scene, but you can snooze through the rest and not miss anything important.
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| *"Oi, did someone say Turkish? One of me many names it is." |
Sunday, February 3, 2013
Classic Chan: Mr. Nice Guy (1998) Video Review
Classic Chan continues this week with something new for Code Redd Net: a video review! It's a key part of our strategy to provide you with increasingly dynamic content across our various platforms. In this pilot test, Thrasher pays tribute to Mr. Nice Guy, one of our favorite action films and undoubtedly the spark for our lengthy Chan-o-philia. Also, look out for Chicken Man's upcoming review of Who Am I?, yet another classic Chan flick with some history for us.
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| As soon as Jackie starts asking questions, things explode. Must be frustrating. |
Saturday, January 19, 2013
Classic Chan: Digging Around in the Archives
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| Seems a bit impractical, Jackie, but impressive nonetheless. |
Reviews:
Jackie Chan's Stuntmaster
The Forbidden Kingdom
The Medallion
Rush Hour
Rush Hour 2
Rush Hour 3
Shanghai Knights
The Tuxedo
Twin Dragons
Code Redd Net Awards:
Best Jackie Chan Movie
Finest Fight
From our Finest Fights series (featuring spectacular embedded videos!):
Police Story
Jackie Chan's Thunderball
Jackie Chan's First Strike
Rumble in the [Vancouver] Bronx
Who Am I?
and, of course, there's always the golden Time Life CD box set Solid Gold Chan.
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| Danny should upgrade to a PS Vita. A higher resolution screen would be much better for playing those games which Jackie always forgets to give him. |
Friday, December 28, 2012
Movie Review: The One (2001)
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| "Oi, this is me new iPhone? Roight, Raymond. Bloody children's toy, it is. On your bike, mate." |
Tuesday, December 25, 2012
Movie Review: The Forbidden Kingdom (2008)
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| I feel the same way. |
Monday, December 17, 2012
Finest Fights: Police Story (1985)
Still bringing you the best fight scenes available on YouTube, only now, we
bring 'em intermittently.
Aha, so today we have one of Jackie Chan's finest, the mall brawl from Police Story. You should know, Police Story is going to be featured in an upcoming countdown here at Code Redd Net, where we revisit ten of Jackie's best films. Consider this an early preview:
And, as an added bonus, enjoy the "making of" Jackie Chan: Stuntmaster for PS1:
Aha, so today we have one of Jackie Chan's finest, the mall brawl from Police Story. You should know, Police Story is going to be featured in an upcoming countdown here at Code Redd Net, where we revisit ten of Jackie's best films. Consider this an early preview:
And, as an added bonus, enjoy the "making of" Jackie Chan: Stuntmaster for PS1:
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| Sadly, Stuntmaster was never released for the Game Gear. Danny had to convince himself otherwise :( |
Wednesday, November 28, 2012
We're Busy
Saturday, October 6, 2012
Parker Trailer
Jason Statham, our favorite contemporary action star, has a new film coming out in January. Check out the trailer for Parker below:
It's like if Frank Martin in The Transporter got to play dress up and rub elbows with J-Lo. Should be right up there with Safe if the trailer is any indication.
It's like if Frank Martin in The Transporter got to play dress up and rub elbows with J-Lo. Should be right up there with Safe if the trailer is any indication.
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| "Oi, Raymond, you don't need your mouth to pee." |
Thursday, September 20, 2012
Solid Gold Chan
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| It's not a real thing, but Time Life should get on it right away, don't you think? We did all the work for them. |
Jackie Chan's action films have marvelled audiences for decades with spectacular stunts and virtuoso martial arts choreography, and justly so. But what often goes unnoticed is his commitment to providing catchy credits music to accompany us out of the theater. It's high time these diddies got some shine. Enjoy our small compilation of four punch-perfect pop hits, and do so without paying five easy installments of $29.95!
First up is Ash's infectious "Kung Fu," from Rumble in the Bronx:
Next we have "That One Song, Remember?" from Police Story:
We also have something of a rarity on this set. It's the appropriately bouncy "Let's Bounce" by Chic and Erick Sermon, whoever he is, from Rush Hour 2. Though the video below has a picture of the RH2 soundtrack CD, this gem is not on it. It's too bad, really.
Finally, our personal favorite, the always radio-ready theme from Who Am I?, which for years we referred to succinctly as "WHATCHANNANIIIYOOOOOOOO". Turns out it's actually titled "Who Am I (Cantonese Theme)". Makes sense, even though we still prefer our more colloquial expression.
Friday, August 24, 2012
Finest Fights: Rumble in the [Vancouver] Bronx (1995)
Still bringing you the best fight scenes available on YouTube, only now, we
bring 'em intermittently.
We have some classic Jackie Chan for you today. Witness his skill in fighting off a bunch of punks and pinball machines.
You also have to love this kid:
Jackie gave him a Sega Game Gear, but no games. Still, like a real trooper, he played with it anyway. "The best games come from your own imagination," Jackie probably meant to say. "Besides, those things eat batteries for breakfast."
We have some classic Jackie Chan for you today. Witness his skill in fighting off a bunch of punks and pinball machines.
You also have to love this kid:
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| "BLEEP, BLORP! I make my own fun! Oh, to be poor!" |
Tuesday, August 7, 2012
Finest Fights: Game of Death (1978)
Still bringing you the best fight scenes available on YouTube, only now, we
bring 'em intermittently.
Here's a great battle from a horrible, rush-job of a movie, Bruce Lee's "last" film, Game of Death. This is one of the few highlights from the movie, and one of few scenes actually featuring Bruce, as he and NBA legend Kareem Abdul-Jabbar brawl.
Here's a great battle from a horrible, rush-job of a movie, Bruce Lee's "last" film, Game of Death. This is one of the few highlights from the movie, and one of few scenes actually featuring Bruce, as he and NBA legend Kareem Abdul-Jabbar brawl.
Monday, May 21, 2012
Our Next Generation
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| Ricky Tan would approve. |
Sunday, April 29, 2012
Movie Review: Safe (2012)
Safe is the best Jason Statham movie in years, and any complaints about its formularism would be misplaced. I can hear normally adroit critics opining now: "It's doesn't break any new ground..." "No innovation..." "Run of the mill..." Such comments, most cliches themselves, miss the point of genres, that being to specifically not break new ground, at least not entirely. It's more like repainting a house than tearing it down, and obviously that kind of renovation has tremendous benefits for filmmakers as well as for audiences, who like the familiar just as much as they like something new, who enjoy a theme and its variations. Safe is an action film, and not a particularly maverick one at that, and that's truly commendable.
Statham plays a cage fighter with a dark past, as you would expect, and after he botches a rigged fight for the Russian mafia, his wife is killed, as you would expect, and he is forced to wander the streets, broke. Before he can throw himself into an oncoming subway train, he finds salvation in a young girl, as you would expect, whom he rescues from her shady pursuers. They develop an unconventional bond, as you would expect, and Statham then proceeds to break bones and shoot fools and spew one-liners with about equal measure, as you would expect. But let's not mistake narrative tropes for cliches. True, much of the story is droll, but as I've said before, hackneyed plots are a virtual prerequisite for these movies. Parts of the story were muddled, but they get us to the fun bits sure enough, and the stunt work is, for the most part, good. Camera movement is a little rough during the fight scenes, a little blurry and unsteady (per the norm of today's mainstream film), but still, you get the context and the impact; I had no problem understanding, and better still, appreciating, the many interesting ways Statham knows how to disarm adversaries. The car chases are much less competently handled, and the jerky camerawork gets a trifle out-of-hand, but thankfully they're over quickly. Dialogue is horribly cheesy and punny, but again, that's something one expects from the action cinema, and Statham's inflection is always funny, however much it is unintended, and he obviously has a natural knack for timing. Unlike Transporter 3, this one understands how to use Statham, and not just for his star image and his narrative/stylistic baggage, but for his physical capabilities as well. That's a "smart" dumb action movie.
Monday, April 23, 2012
"Stath" Infection
For now, though, we present the nominees for Best Jason Statham Movie:
The One (2001)
The Transporter (2002)
Transporter 2 (2005)
Lock, Stock, and Two Smoking Barrels (1998)
The Italian Job (2003)
Saturday, March 10, 2012
DVD Review: Man vs. Wild Season 4 (2010)
Man vs. Wild presents something of a problem, it seems, for many viewers. While the series clearly wants to be taken seriously as a survival guide for beginners, at the same time it wants to be more simple, visceral entertainment. That means the show alternates, almost at random, between "showing the device" and hiding it in favor of narrative immersion. What you get isn't quite "reality," even though it has all kinds of "authenticity" going for it. Many say the show is "fake," and I don't blame them for coming to this conclusion, even though that conclusion is built upon faulty groundwork. At the start of the show, for instance, a block of text explains that certain safety regulations have been followed and that, indeed, some of the situations host Bear Grylls finds himself in have been set up. Even in the introduction to an episode, Bear explains that he must undergo an entire week of challenges. This becomes problematic because the episodes are invariably structured into the narrative of a single day. Bear's day (or sometimes two) goes like this: he drops in to the hostile and photogenic environs (usually in spectacular fashion), gets his bearings (pun certainly intended), treks through the dangerous terrain, finds and eats (generally disgusting) food, builds a shelter, builds a fire, sleeps, wakes up and finds breakfast, and finally, finds extraction (again, usually in spectacular fashion). Yes, Man vs. Wild is contrived, but finding fault with its "fakeness" is akin to hating on The Blair Witch Project simply because it's not a real documentary. Besides, Man vs. Wild makes greater strides than most "reality" shows to reveal its conceit. And if you put aside reservations about its supposed veracity, Season 4 of Man vs. Wild is quite engaging. Bear is physically gifted, and though not terribly witty, humorous enough situationally, especially in his obscure references and veddy British slang (he often talks of his "John Thomas") and his penchant for pronouncing words in unique ways (my personal favorite is "glacier," a version which eludes even phonetic spelling). Highlights of this particular season include an fetid water enema at sea and a whole episode dedicated to "urban survival." For my money, this is the most interesting and varied season of Man vs. Wild. If you can go beyond the trap of "realism" in entertainment, this might be a good place to start with Bear.
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