Showing posts with label Shanghai Noon. Show all posts
Showing posts with label Shanghai Noon. Show all posts

Wednesday, February 20, 2013

Classic Chan: The Accidental Spy (2001)

Classic Chan concludes today on a bit of a downbeat, as The Accidental Spy is not one of Chan's best. Regardless, it's been a real pleasure bringing you this series on one of our favorite performers. Chicken Man and I have enjoyed this chance to revisit some of the key films in our history, films that somehow escaped our critical eye. Stick around for more Chan coverage coming your way on Code Redd Net.



Even when Jackie Chan is at his most mediocre, he still brings the goods. To wit: though The Accidental Spy is pretty pedestrian stuff, there's an excellently choreographed fight in a Turkish* bath that saves the film from totally descending into Tuxedo territory. But first, the evergreen wacky plot: Jackie is an exercise equipment salesman who foils a robbery. Some strange old man then approaches Jackie about another strange old man, this one wealthy and on his deathbed. He sends Jackie off on a globetrotting quest for clues of some sort or another, all the while unknowingly working for a shadow American intelligence operation. By even the loosest narrative standards of the genre, The Accidental Spy makes no sense. Why Jackie goes to certain places, why certain clues are deemed important, and why certain characters show up at certain times and do certain things, barely any of it is adequately explained. I suppose it's a bit of a throwback to the oddball political affiliations Jackie dealt with in First Strike, but for all the James Bond-lite intrigue and exoticism of locales, it doesn't add up to anything substantial, let alone anything really comprehensible. Still, though, there's nothing like Chan acrobatics to distract you from the confusing story. The aforementioned Turkish bath bash is a true highlight, as Jackie not only defends himself from his assailants, but also defends the dignity of his naked body from exposure. It's a subtle technique of layering the choreography that Jackie is particularly adept at executing. He doesn't simply fight an opponent or a mob of opponents: often, he also has to contend with the elements, with the environment, with physical restraints (such as handcuffs or that odd rope apparatus in Mr. Nice Guy), with notions of decorum and cultural heritage (recall the complicated vase choreography in Shanghai Knights), and so on. Unfortunately, the dynamism of the Turkish scene isn't present in all the fights, as some of them are fairly bland and lack that trademark Chan structuring. If it's your kind of thing, there's plenty of vehicular stuntwork going on here, especially the impressive tanker sequence that concludes the film. Nevertheless, The Accidental Spy should be ranked fairly low in Chan's oeuvre. I recommend checking it out for the Turkish bath fight scene, but you can snooze through the rest and not miss anything important.

*"Oi, did someone say Turkish? One of me many names it is."

Tuesday, February 19, 2013

Classic Chan: Shanghai Noon (2000)

Coming to the last review by Chicken Man in our Classic Chan series, we take a look at one of Jackie's distinctly American films, Shanghai Noon. Thrasher will bring the series to a close with Accidental Spy. But fret not, we will looking at more Chan favorites in the future.
http://www.entertainmentfuse.com/images/ShanghaiNoon.jpg
Shanghai Noon is undoubtedly one of Jackie's best American films. It is perhaps the best film with which to introduce Jackie to a Western audience (no pun intended). The plot is quite simple: the princess of the Forbidden City (Lucy Liu) is kidnapped and held for ransom in the American West. Chon Wang (Jackie) is an imperial guard who is sent to pay her ransom and ensure her return. Along the way, he runs into screw-up outlaw Roy O'Bannon (Owen Wilson) and they become reluctant buddies. The action scenes are also tailored to fit the typical American movie-goer in that they are much shorter than the ones in Jackie's Hong Kong films. Interestingly enough, Jackie's skills as an action star shine through even without forcing some anachronism to do car chases, underwater stunts, helicopter hijacking, or destroy drug dealer's houses with large machinery. The focus is primarily upon his martial arts abilities, one of the highlights being his turning a horseshoe and rope into an effective medium-range melee weapon. He is also involved in a bar fight scene that is easily within the top ten bar fight scenes shown on film. And, as if he were a contestant on The Deadliest Warrior, Jackie tests his mettle against Native American warriors. Every fight scene advances the story (unlike the entertaining, but ultimately pointless, skirmishes between Jackie and Mr. Lo's henchmen), which keeps things fast-paced and moving along. And despite Owen Wilson's presence in it, Shanghai Noon is actually quite funny. It's really hard to point at any single thing and say that it is a flaw (besides the fact that it doesn't have a game like Shanghai Knights does). It defines the Martial Arts Western Action Comedy genre (however big that is), and is simply a solid film. This is truly a Chan classic.

http://4.bp.blogspot.com/-Krgr7tbT3Dc/UO78iId5HlI/AAAAAAAAA1U/J1njg6JmTio/s1600/Shanghai+Noon.png
[P.S. Shanghai Noon is also a loaded DVD and will be featured in our upcoming DVD review series, which will highlight some of our favorite DVDs, back from when they used to put worthwhile special features on them.]


Sunday, February 10, 2013

Classic Chan: Gorgeous (1999)

Welcome back Chanphiles for another installment of Classic Chan. This time we have Thrasher's review of the supremely weird Gorgeous, an often baffling film, but not one without some show-stealing numbers that make it worthwhile. Better get ready for next time, as Chicken Man will take you all back to the year 2000 with a review of the always enjoyable Shanghai Noon.


Gorgeous is a silly film, and one that's all over the map; it moves from sappy sub-Disney Channel romance to mature martial arts exhibition like that. It's like zapping through your cable channels only to find Jackie Chan featured on every network, even the weird ones you never watch. Consequently, of all the films we've covered thus far in the Classic Chan series, this one is the hardest to pin down, to fit within the general trajectory of his career. Part of that stems from the odd premise: Jackie Chan is C. N. Chan, a billionaire trash tycoon and indolent playboy content to own expensive things and be cool. It's only when Chan's business rival hires a professional martial artist to humiliate him that things get interesting. The rest of the film follows the childish infatuations of Bu, a little Lolita played by Shu Qi, who heads to Hong Kong to find the author of a weepy love letter, and from there she becomes entangled in Chan's love life. Sad to say, but the scenes not involving Chan (and there are a good many of them) can be quite boring for all their saccharine flavor. At times it can be difficult to make sense of the extraordinarily cheesy music as well as the odd dubbing, but there are times when Gorgeous can be genuinely charming (I particularly like the banter between the anonymous thugs Chan dispatches, characters we do not typically think of as having other lives, let alone hot dates to pick up). Like most Chan outings, however, any deficiency in plotting is more than made up for with a few fights. Gorgeous is a bit different in this regard, as Chan's character has no urgent need that makes him fight. He's not an ordinary guy made to do extraordinary things here, he's not a cop out to clear his name or a chef seeking to rescue his kidnapped girlfriend. Instead, he's a rich Wall Street trader who fights because he wants to, not because he has to, and that subtle difference gives the fights of Gorgeous a unique register. As such, the contests between Chan and the professional fighter have an official quality to them at odds with the usually desperate situations Chan accidentally walks into. It's a subtle move that lends a high degree of novelty to the brawls, which are right up there with his best choreography. Unfortunately, there's too few of them to make Gorgeous a truly noteworthy Chan film. As it stands, Gorgeous is an strange entry that our fellow Chanphiles will undoubtedly appreciate, but it's one that ultimately lacks enough of the good stuff.

Tuesday, November 8, 2011

Code Redd Net Awards: Best Jackie Chan Movie

Our next award is for Best Jackie Chan Movie. And the nominees are...

Rush Hour 2 (2001)
Jackie Chan's Who Am I? (1998)
Jackie Chan's First Strike (1996)
Mr. Nice Guy (1997)
Shanghai Noon (2000)

And the winner is...

Jackie Chan's Who Am I?