Tuesday, February 19, 2013

Classic Chan: Shanghai Noon (2000)

Coming to the last review by Chicken Man in our Classic Chan series, we take a look at one of Jackie's distinctly American films, Shanghai Noon. Thrasher will bring the series to a close with Accidental Spy. But fret not, we will looking at more Chan favorites in the future.
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Shanghai Noon is undoubtedly one of Jackie's best American films. It is perhaps the best film with which to introduce Jackie to a Western audience (no pun intended). The plot is quite simple: the princess of the Forbidden City (Lucy Liu) is kidnapped and held for ransom in the American West. Chon Wang (Jackie) is an imperial guard who is sent to pay her ransom and ensure her return. Along the way, he runs into screw-up outlaw Roy O'Bannon (Owen Wilson) and they become reluctant buddies. The action scenes are also tailored to fit the typical American movie-goer in that they are much shorter than the ones in Jackie's Hong Kong films. Interestingly enough, Jackie's skills as an action star shine through even without forcing some anachronism to do car chases, underwater stunts, helicopter hijacking, or destroy drug dealer's houses with large machinery. The focus is primarily upon his martial arts abilities, one of the highlights being his turning a horseshoe and rope into an effective medium-range melee weapon. He is also involved in a bar fight scene that is easily within the top ten bar fight scenes shown on film. And, as if he were a contestant on The Deadliest Warrior, Jackie tests his mettle against Native American warriors. Every fight scene advances the story (unlike the entertaining, but ultimately pointless, skirmishes between Jackie and Mr. Lo's henchmen), which keeps things fast-paced and moving along. And despite Owen Wilson's presence in it, Shanghai Noon is actually quite funny. It's really hard to point at any single thing and say that it is a flaw (besides the fact that it doesn't have a game like Shanghai Knights does). It defines the Martial Arts Western Action Comedy genre (however big that is), and is simply a solid film. This is truly a Chan classic.

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[P.S. Shanghai Noon is also a loaded DVD and will be featured in our upcoming DVD review series, which will highlight some of our favorite DVDs, back from when they used to put worthwhile special features on them.]


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