Classic Chan: Who Am I? (1998)

I hope everyone enjoyed the last review in this series, Mr. Nice Guy, provided in a delicious video format by Thrasher. If you haven't seen it yet, I highly encourage you to give your eyes and ears some much needed nourishment. And not only that, in the next installment of Classic Chan, Thrasher will be thoroughly reviewing one of Jackie's sillier episodes, Gorgeous.

Crazy Legs

One of the outstanding things about Who Am I? is that I feel more of an emotional connection with the struggle of Jackie than I can with most of his other films. In Police Story, we aren't shown the evils committed by the drug traffickers; we are just to assume that they are bad people. The same largely goes for Supercop. Yet, in Who Am I?, Jackie is affronted personally by the villain, a CIA operative who betrayed him and his team of special operators. He is the only survivor of the team and loses his memory in the process. This gives me more of a reason to cheer Jackie on. I want to see him regain his memory and defeat the traitor, whereas I'm left rather indifferent to whether he catches bad guys in the previously mentioned films. But just like before, Jackie provides a variety of action scenes so none of them feel stale or boring. Beyond his amazing martial arts skills, he entertains in an early scene where he displays MacGyver-like qualities, as well as his non-vocal comedy, in treating wounds, creating an IV, and repairing a rallycar. During an interrogation, he escapes with the extra handicap of being handcuffed. And though the car-chase may be an overused situation in the action genre, Jackie uses it sparingly and when he does, it can be a treat. Also of note in this scene is how Jackie's persona has somewhat changed for the American audience. In films like Police Story or Supercop, Jackie wasn't a stranger to firearms and killing people with them. We can see the contrast here when he helps his pursuers when their car is about to drop off the side of a building. Likewise, earlier in the movie the special ops guys used a gun that shot a net. How compassionate and kid-friendly! Overall, the pacing is friendly and it never feels like an action scene is overdue. The tension can be felt mounting, culminating in what is easily one of Jackie's finest fights (shown below). In sum, I feel like Who Am I? is one of Jackie's more memorable efforts, plagued only by some awkward scenes (such as Jackie's shouting of "Who am I?" into the distance) and revelations that make little sense in terms of the plot ("Oh by the way, I work for the CIA."). But Jackie Chan has never been known for dramatic effects. Regardless, Who Am I? excellently demonstrates what he is known for and is a very solid action movie.

Classic Chan: Jackie Chan's First Strike (1996)

Jackie Chan fights for 'Murica! Perhaps even more exciting is the upcoming review of one of Jackie's works that is nearest and dearest to our hearts: Mr. Nice Guy! Thrasher will demonstrate just why we're really good at cuttin' things off.

 I'm a bit confused why this movie is called Jackie Chan's First Strike. The cover of my DVD says, "The world's most explosive action star fights for America for the first time," yet none of the movie takes place in the US and he worked with the DEA in Supercop. Also confusing is the plot itself. Even Jackie asks, "Why does the CIA need me? They have so many people." Yet, for some reason, a Hong Kong police officer is sent to track a woman to the Ukraine. That is supposed to be the extent of Jackie's involvement, yet he inevitably finds himself tangled in stopping a scheme to sell uranium to the Russian Mafia. He then is somehow working for the Russian Federal Security Bureau ("the new and improved KGB") rather than the CIA, only to find out that the FSB is involved in trying to secure the uranium and have blackmailed a CIA agent to do their bidding. It seems to be a mystery why a CIA agent would have a greater ability to obtain uranium from a former Soviet satellite than the FSB and Russian Mafia would. But, thankfully, an intricate plot is not why we like to watch Jackie Chan. He is an action-movie star and I think First Strike demonstrates his visionary choreography ability as well as any of his other films. He seems to be perfectly comfortable in any environment, whether it's in the Ukrainian snow or on stilts in Chinatown. It was exactly this that struck me most: the variety of action scenes in which we get to see Jackie perform. He seems to be a very capable snowboarder (though the cuts seem a bit sketchy where he will be riding goofy-footed in one shot and then regular-footed when he is cut back to), shows off his impressive capability in bearing the cold, has one of his most iconic fight scenes involving a ladder (I surely hope that The North Face paid handsomely for the best product placement that a pair of winter overalls have ever received), creatively demonstrates how to fight with stilts, and has an underwater fight scene almost as epic as Thunderball (though maybe not quite). Viewing it is a very quick 85 minutes. To me, this is because of Jackie's wide range of talent. He really pushes the boundary of what an action star can be. Can a Steven Seagal do half of what Jackie can? Would you consider Sylvester Stallone athletic? In comparison, he is simply a guy who carries big guns and flexes and has a speech impediment. Not nearly as entertaining. Not nearly as funny, either. I now feel a bit silly in pointing out the light-heartedness of Police Story. First Strike is definitely one of Jackie's most cartoony movies in terms of the humor (though City Hunter takes the cake). He sings while being stripped-down to his koala bear undies. He plays made-you-look in a shark tank. And so, yet again, I think this also demonstrates the wide array of emotions Jackie can elicit. He can be silly and he can be serious. He can be a secret agent and a cook. This is why he was able to perform in scores of films without becoming stale. Though I wouldn't consider First Strike one of his best films overall, it definitely has one of the top ten fight scenes and makes us unable to see step ladders in the same way ever again.

Classic Chan: Rumble in the Bronx (1996)

Classic Chan rolls on with Rumble in the Bronx/Vancouver, also known as Rumble in Vancouver or Rumble in the Vancouver Bronx around these parts. Take your pick; Thrasher thinks it's a fine action film any way you slice it. Next time around Chicken Man takes up Jackie Chan's First Strike, so get your ladders ready now.

As Chicken Man hinted at in the introduction to his review of the always super Supercop, we affectionately refer to this film as Rumble in Vancouver primarily because of the charmingly discordant NYC skyline:

The awe-inspiring and majestic beauty of the Bronx Mountains.

There's plenty of other equally wacky aberrations spread throughout Rumble in the Bronx, including our favorite high-strung, cushion-loving Sega Game Gear enthusiast, Danny, and his unstoppable, perpetually cheerful magic-out-of-mire disposition:

He's got no game, but at least he saves a lot of money on batteries.
"It's powered by my imagination!" says the stupid, positive child.

These "goofs", to speak like IMDb, become something more to us Chanphiles. They become markers of our fascination with his cinematic exploits, the attention to (and eventually love for) these mistakes an unmistakable result of repeated viewings.

Like many others new to Chan, Rumble was one of our key introductory texts. It has since become one of the yardsticks used to judge the success/failure of subsequent films. It's not his best film, not even close, really, but it's everything you could possibly want or expect from a film of this kind. Jackie plays Keung, visiting the Bronx nee Vancouver to help his Uncle Bill sell a supermarket. Keung hangs around to help out its new owner, Elaine, while Uncle Bill goes off on his honeymoon. Soon enough, Keung runs afoul with a local gang and from then on it's on. The admittedly poor dubbing adds another layer of humor to the film, and at least Jackie dubs himself rather than letting some other doofus do it. Sappy as the story may be, it takes us where we need to go, often hilarious so: supposedly hardcore gangsters turn over a new leaf following a lukewarm moral browbeating from Jackie; yokels easily fall for the old "I'm with the FBI because I'm wearing a nicely-tailored suit and have the build of an ex-pro wrestler" bit; and wholesale destruction of both public and private property in the name of justice is, well, justifiable (aesthetically if nothing else). Yet, as always, it's the stunts that matter most. Rumble scores fairly high in this regard, though few stand out as especially noteworthy. I suppose the pool-pinball fight would make a career highlight package, but everything else is merely serviceable, particularly in comparison with the showstealing numbers that make First Strike and Who Am I? truly memorable. That said, there's nothing at all wrong with Rumble. In fact, it has a rightful spot among his most significant, solid, and truly enjoyable films.

Classic Chan: Supercop (1992)

We continue our exploration of some of Jackie's famous Police Story film series, today joined by the lovely Michelle Yeoh. Next time, Thrasher will re-visit the cult-classic, Rumble in Vancouver. I know I'm excited.

Also known as Police Story III in Asia, Supercop builds upon the adventures of Jackie/Kevin Chan, who is now officially recognized as being a "supercop." As such, he is sent to partner with Jessica Yang (played by Michelle Yeoh), a member of the mainland Chinese police, in a dangerous undercover assignment that involves breaking a convict out of a labor camp in order to infiltrate his older brother's drug cartel. Jackie brings the same brand of lovable yet lethal goofball who is not afraid to slap a woman if she gets too sassy. He still has the same lovely, though perhaps under-appreciated, girlfriend from the previous films, but is now joined by a woman who slaps back. And this is my favorite thing about this film: it is one of the few times where Jackie has a true female counterpart (unless, of course, you want to count Jennifer Love Hewitt in The Medallion) who can rival his ability to provide spectacle through stunts. She is a pleasure to watch, whereas watching Scarlett Johannson (or most other actresses put in an action-fighting role) often requires the suspension of disbelief. Indeed, she does all of her own stunts, too, of which there are quite a few to be found. And I find that this can make for a better martial arts film. In contrast, there are some cases where Jackie has very impressive fight scenes but a story that is hard to sit through or follow, causing me to have the desire to simply save the parts of these movies I do like and make an action compilation. Supercop does not have this problem at all; action scenes happen often and always further the plot. It all culminates in a stunning visual climax involving stunts with a helicopter, dirt bike, and train. What is unfortunate is that I found certain problems about the scene that distracted me from enjoying it in all its glory. The largest is the method by which Chaibat, being pursued by Chan who is hanging on the rope ladder of his helicopter, tries to stop him. Chaibat has his pilot run Chan into some of the more iconic spires in Kuala Lumpur, which fails, and eventually into an oncoming train, which catches the rope ladder and forces the helicopter to land on it. I typically dislike when villains leave the protagonist in some elaborate trap and leave, allowing him or her to escape. The feeling I get from that is quite the same I get here. Chaibat is carrying a large assault rifle in the helicopter and there ought to have been some explanation as to why he wouldn't use it to get Chan off his rope ladder (something like he ran out of ammo or it dropped out of the chopper). Also puzzling is why they don't just cut the rope ladder (and the excuse that they didn't have a knife is belied by the fact that one of the men on the helicopter pulls out a huge bowie knife to attack Jackie). The ending also left me puzzling why Chaibat's wife would assist in rescuing Jackie and Jessica, since she had previously been sentenced to death by the Malaysian government for conspiracy against the state. Some explanation about how they could extradite her to Hong Kong for leniency in providing the numbers to the Swiss bank accounts would have been welcomed. These three seemingly small quibbles caused disproportionately large problems in my enjoyment of what otherwise is a fantastic action scene. But please don't let my spending half of the review talking about some problems give you the impression that this movie was anything less than one of Jackie's best outings. It is, in fact, my personal favorite of the Police Story series.

 

Classic Chan: Police Story 2 (1988)

It's axiomatic: for every good action movie, there bound to be a sequel or three. In that vein, join Thrasher as he follows Chicken Man's lead with a look back at Police Story 2. Keep checking in with Code Redd Net for more Classic Chan.

Police Story 2 is something of a lost classic, at least in North America, as it lacks both the critical sway of the original and the mainstream theatrical release afforded to the subsequent entries in the series Supercop and Jackie Chan's First Strike. It's a pity, as PS2 features some fine stunt work. In this one Chan plays the same cop as before, only this time he's been demoted to highway patrol duty as a result of his propensity for property damage. His obligations as a police officer and as a boyfriend are challenged when the mob boss he put behind bars in the previous film returns, determined to draw out the subdued Chan. Cornered, Chan retaliates and consequently resigns from the force, only to be reinstated when his former colleagues realize just what kind of results he's capable of producing. In something of a strange move, the film begins by recapping the most spectacular moments from the original before beginning this story in the proper manner. In a certain sense it works to set up expectations which this film seeks to supersede, but in another sense it doesn't work because it's a pretty high bar to meet. Nevertheless, Jackie continues to perfect here the action-comedy formula that has served him well throughout his career. As Chicken Man noted in his review of PS1, in these pre-watershed, pre-Rush Hour films, Chan does indeed get to play goofier characters that more effectively underline his immense talent for physical comedy as well as, and often totally in step with, his peerless athletic prowess. The choreography here is splendid, especially one of my all-time favorite fights, that being the playground brawl between Chan and a bunch of thugs. If, as Chicken Man suggests, the original's fight scenes impressed because they were "nearly believeable," PS2 is a bit of a lateral, pushing towards the ridiculous but not really going there. Jackie's films have a history of walking a narrow tightrope between the possible/probable and the pull of spectacle, and for the most part Police Story 2 keeps its balance.