Showing posts with label George Lazenby. Show all posts
Showing posts with label George Lazenby. Show all posts

Thursday, December 27, 2012

Thoughts On Scene It? 007 Edition


In lieu of a more traditional review of this DVD board game, I've decided to share with you a few quick notes on Scene It? 007 Edition. I was quite pleased to finally find this thing, and for the most part, it didn't disappoint. Here's a few thoughts on the game, based on my familiarity with the subject matter and the mechanics of Scene It?:

  • First of all, 007 fans should only pick this up under the assumption that you anticipate finding willing and capable opponents to play against. Admittedly, it's fun for a while to run roughshod over the other players because you've seen every film in the series, but this soon becomes boring and there's no way to turn up the difficulty on your friends.
  • As for the difficulty of the trivia, there's a good balance between questions drawn from inside and outside the films: that is, questions about the films' characters and plots are offset by questions about actors, directors, and theme songs. Furthermore, these questions range from the textually obvious (i.e. who played who in what film) to minute details which require considerable familiarity with the film. As such, it becomes obvious throughout the course of several games which films your friends/family members are more familiar with; for instance, I was swift in answering detailed queries on the plot of The World is Not Enough (or anything starring Pierce Brosnan), but struggled to recall the principle players of The Living Daylights, besides star Timothy Dalton. Still, the game is careful not to overwhelm casual viewers of the series with minutia, while at the same time keeping obsessed fans interested. It's a sufficient balance to insure broad appeal at your next party.
  • Obviously, 007 Edition features clips from all official films in the series, from Dr. No to Die Another Day. They vary somewhat in length, but in general they are carefully selected and fun to watch or re-watch, as the case may be. My biggest problem with the clips is the volatile nature of the questions which follow them: too often these questions have little or nothing to do with the preceding clip. After watching a clip from TWINE, in which Bond and Christmas Jones escape from the exploding blast pit, I was asked, "Who played Electra King in this film?" Points for sticking with the same film, I guess, but minus several million for totally ignoring the content of the clip. On the other hand, these clips are sometimes followed by questions which only necessitate a player's attentiveness to seemingly arbitrary detail, such as the color of Bond's shirt in For Your Eyes Only. Rarely do the clips justify themselves within the game; instead, they only seem to be there for the purpose of visual distraction, and this is a complaint I often lodge regarding the various Scene It?s.
Nonetheless, if you have a cadre of pals willing and able to challenge your exquisite knowledge of 007, this edition of Scene It? is worthwhile. Daniel Craig was nowhere to be found in my somewhat dated version, but there's a Casino Royale Collector's Edition that brings things a little bit up-to-date.

Thursday, August 16, 2012

Nobody Reviews It Better: On Her Majesty's Secret Service (1969)

A drastic change, indeed. Today Thrasher looks at On Her Majesty's Secret Service, of the most unusual, and one of the most interesting, Bond films to date.


More than any other Bond film, certainly before and arguably since, On Her Majesty's Secret Service is a strange one. It's weird. It's different. It's also immensely interesting, for Bond fans especially, because of these differences. Many consider this the most faithful Ian Fleming adaptation, but for me that's an insight of minimal critical value. No, what matters here is how George Lazenby develops such a strikingly different character from his filmic predecessor. Gone is the dry cruelty of Sean Connery, and in its place is a softer, more humored, more human Bond that directly confesses his shortcomings to the spectator, plays at being disinterested in young women, and silently sobs before the end credits. Oh yes, it's truly difficult to imagine Connery playing this role. OHMSS is quite daring compared to the others, it's practically an art film with substantial financial backer. Much like Casino Royale, this one takes what we know and inverts it, but not for the sake of criticism; it's like a knowing wink, flipping things around a bit to keep us interested, to keep the Bond formula fresh, and indeed we'll see that most of the generic gambles this film takes are immediately withdrawn by the next film.

And what do we make of that odd pre-credits sequence, where Bond trails an unidentified woman to a beach at dawn, saves her from drowning, is attacked by thugs, and, when the woman sneaks off without so much as a "Gee, thanks," turns to the camera and remarks, "This never happened to that other fellow." I believe it's an open admission of guilt, a concession to the spectator, essentially telling us upfront that, Hey, Connery may not be here, but don't blame us, and let's have some fun anyway. Not only that, but it also sets up the kind of Bond that Lazenby will be. In a way, these uncharacteristically modest words prep us for a Bond not as self-assured, not as rugged, and certainly not as boorish as the Connery iteration, even though the stylistics of the fight scenes in OHMSS might tell us that 007 is more brutal than ever. In that sense, the kind of baroque camera work on display here seems quite at odds with the rest of the film, and would absolutely be a better fit in the previous five films. Nevertheless, the non-hand-to-hand action set pieces in the film are fantastic, well-choreographed affairs, especially the ski chase, and the bobsleigh beatdown between Bond and Blofeld. OHMSS should also be commended for its most radical challenge to the series' grammar, something which had already become staid and subject to parody, and that's the infamous tragic ending. It's never really been done since, although I suspect it may return sometime during Daniel Craig's tenure as 007. Too bad Connery had to return so quickly to the series, only to take Bond's true tragedy and spin it into another one-liner.

Friday, July 13, 2012

Bond On Display

Many of James Bond's personal effects, including his Walther PPKs, cigarette lighter, and multiple identity documents are on show As you may very well know, Code Redd Net is currently in the process of reviewing every 007 movie before the release of Skyfall in November. We are not the only ones commemorating Bond's legacy. Greater than 400 items are on display in the Barbican Centre in London (possibly including Scaramanga's third nipple). We thought you might be interested in checking out more of their display, in addition to a video at the Daily Mail.









Thursday, June 28, 2012

007 Legends OHMSS

I had a feeling about this one, and today IGN confirmed that the underestimated On Her Majesty's Secret Service will be included in the upcoming 007 Legends. Of course, this time Daniel Craig will substitute for George Lazenby. No video to show, though, only these screens:



So we know we'll get to play through parts of Skyfall, Moonraker, and now OHMSS. What other classic 007 films do you think will be featured?